News

This project brings together some of the most important artists and deepest friendships of my career. Herlin Riley, Anthony Wilson, Peter Washington, Donald Vega and I have made music together for decades. Simon Moullier is a new musical partner. In more recent times we have often performed together at BackCountry Jazz concerts, where much of this material was developed.

James Farber began his live to two-track work with me on projects in the 80’s. He has since earned his reputation as New York’s leading engineer in this most demanding idiom.

Carol Friedman created three album covers for me at the beginning of her most remarkable career. Witnessing her creative process in the studio is a unique experience. I am so pleased to work with her again.

I began working with Joe Harley, recording albums for his label, AudioQuest Music, in the early 90’s. Since then he has produced every record I’ve made. He even produced one while undergoing open-heart surgery. Yes, it’s true. When I begin a new project, Joe becomes my sound guru, corner man and psychiatrist. Over the years he has taught me so much about this craft. I simply could not have made this record without his direction.

All the music you will hear on this record is as it was played. Everybody in the room, playing live to analog tape, no edits. So, set your clock back to 1958, and I hope you enjoy this French Postcard.

—BENNIE WALLACE

distribution by:
The “In” Groove
3300 N 24th St, Phoenix, Arizona  85016
michael@theingroove.com
602.957.3453

Proceeds support BackCountry Jazz programs